Showing posts with label elephant revenge. Show all posts
Showing posts with label elephant revenge. Show all posts

Saturday, 1 September 2012

Elephant No. 335: Macramé




I saw some sparkly metallic cord in a shop yesterday and thought it might be interesting to try making some sort of macramé elephant with it. Or maybe this is just a knotted elephant, since it certainly lacks the orderly look of most macramé.

Macrame is thought to have originated among Arab weavers during the thirteenth century. Fabrics produced by these artisans often featured edges knotted in elaborate patterns to produce fringe and other decorative edging.

Following the Moorish conquest of Spain, the art of migramah—an Arab word meaning "ornamental fringe", "embroidered veil" or "striped towel"—spread throughout Europe. Given the name "macramé" by the Spanish, this knotting technique was introduced to England during the late seventeenth century.

Sailors were actually the most avid proponents of macramé, often making macramé objects during long hours at sea. This, in turn, introduced the art to the Far East and the Americas. British and American sailors often called the work "square-knotting" for the knot they used most often.


Macramé owls by Monika, 2009.
Source: http://en.wikipedia.org/wiki/File:Macrame_Owls.jpg


Macramé was particularly popular during the Victorian period. Women made trims for clothing, as well as fringes and edging for household linens. In the early part of the twentieth century, macramé fell out of favour, but was revived during the 1970s, when it was used to make wall hangings, plant hangers, draperies, clothing and even furniture. Macramé has also remained popular in jewellery-making, and is often used to produce bracelets and necklaces with beads knotted into the work.


Macramé necklace with blue opals by Isha Elafi.
Source: http://www.magical-macrame-jewelry.com/index.html


The most common knots in macramé are the square knot, full hitch and half hitch, as well as more exotic knots such as the lark's head and the wrapped knot. Skilled macramé artists combine these to produce elaborate works which can range from exquisite wall hangings to three-dimensional objects. Although some artists work freehand, many work on boards or knot their work over dowels and other forms.


Award-winning macramé chair by Marcel Wanders, 1996.
Source: http://www.marcelwanders.nl/wanders/pages/seaters-
knotchair_1_8_grouppage.shtml


I apologize in advance for the chaos of my own macramé. I took a workshop when I was about ten years old. I think I made an owl, but never tried it again. Knots are not my forte.

I bought two small spools of metallic cord, with no real idea about what kind of elephant I could produce. As with some of my crochet projects, I decided I would just wing it. The only notion I had was that I wanted to make small elephants.






Outside of instructions on tying knots and making elaborate creations such as owls and vases, I couldn't find a basic online guide to making macrame. So this was definitely an adventure.

I started by making a series of tightly spaced knots to form a trunk.




I didn't really know what to do next, so I made a series of knots to form a loop for the head. I had no idea how I was going to attach an ear, but I assumed I could figure that out later.




I know there are many knots I could have used to help me in this activity, but I don't actually know a lot of different knots, and I didn't have time to train myself today. So I simply kept on making a string of knots, with the idea that I would eventually form some kind of outline of body and legs. My plan after that was to knot in a random pattern across the open area of the body.





Once I had a sort of outline, I began running cord across the empty area, tying it onto the outline here and there. I also left a piece hanging off as a tail.




At this point, it looked pretty disheartening to me, so I played a bit with the green cord, making just an elephant head. Which looks an awful lot like a hairdryer.




I went back to the purple elephant. I took whatever was left of the spool of cord and simply knotted it in a random fashion to fill in the elephant's body a bit, and to add an ear. To finish up, I tied the strand at the neck into a little ball to represent a bell.

This was a somewhat frustrating activity, mostly because I didn't know what I was doing. It was also more time-consuming than I anticipated. This took me about two hours, which I thought was a lot for something that fits in the palm of my hand.

I don't mind the final result, but it's not as sturdy as I'd like, and I'm not entirely sure it won't unravel at some point. That being said, I'm not completely put off macrame. I just need to learn how to tie a few knots and get some good instructions.





Elephant Lore of the Day
Elephants have many ways of punishing those who offend them. If an elephant is greatly offended, or even enraged, it will often destroy the immediate area, including the person who caused the offence in the first place. Sometimes, however, elephants have more gentle ways of making a point.  

In the late nineteenth century, a circus was parading through the streets of London. A man in the crowd, egged on by his friends, grabbed hold of the tail of one of the elephants and yanked it.

This kind of thing might usually result in the elephant swinging around and grabbing the person in its trunk, then tossing the offender as far away as possible. This time, however, the elephant wheeled around, grabbed the man in its trunk, then held him against the iron railings of a nearby building.

Paying absolutely no attention to the howling man, or his friends, the elephant seemed determined to keep the man there forever, if need be. The elephant only released its prisoner following the entreaties of its keeper—dropping the man unceremoniously to the ground and turning back to rejoin the parade.



African elephant.
Source: http://vintage.johnnyjet.com/folder/archive/WheresJohnny01162008.html

 
To Support Elephant Welfare

Monday, 30 April 2012

Elephant No. 211: Plaster Cloth




I happened to see plaster cloth on sale in an art store this morning for only four dollars, so I figured I'd give it a try for today's elephant. I asked one of the clerks if he'd ever used it; he said no, but enthusiastically suggested that it was "Google-worthy". I took that to mean I needed to look it up online, since the package had absolutely no instructions.

Here is what I found online in the way of instructions: "Just wet it, shape it and dry it." The most detailed information I found said to use hot water, dip strips of plaster cloth in the water, affix the strips to a mould and let dry. None of this was particularly helpful to me; however, if it's so simple that it doesn't need more detailed instructions than that, I'm in!




I decided from the beginning that I wasn't interested in making a mould, so it was going to be interesting to see what could be created by shaping this stuff on itself—perhaps a collapsing pile of soggy plaster cloth. But hopefully an elephant-shaped pile of soggy plaster cloth.

Plaster cloth is exactly what it sounds like: cotton gauze, impregnated with plaster. I'm not sure if the pattern of holes is deliberate, or just a function of the manufacturing process, but it makes a very interesting fizzing noise when dunked in water.





I started by cutting a piece of plaster cloth measuring about 7.5 x 10 cm (3 x 4 inches), dipped it in water, and basically just wadded it up to make a head. The plaster sort of flakes at the start, then turns to a smooth plaster that you can mush around. I made a roundish shape, then used my fingers to smooth things out a bit. A word of warning: this material dries very quickly, making it difficult to smooth things out if you're not quick off the mark. I wasn't.




I made a body next with a piece of plaster cloth measuring about 10 x 12.5 cm (4 x 5 inches), wadding this up in the same way. I quickly attached this to the head, which was already dry to the touch, although still slightly damp. Smoothing the wetter plaster of the body into the plaster on the head seemed to make a reasonably secure join, which surprised me a little.




I made a cone for the trunk after this, cutting a piece of plaster cloth about 10 cm by 2 cm (4 x 3/4 inches), then rolling it in on itself lengthwise. I quickly attached it by smoothing it into the head on all sides, then scrunched and shaped it before it dried. I also cut a couple of strips measuring approximately 10 cm by 2 cm (4 x 3/4 inches) for ears, folded these in four lengthwise and stuck them on the head the same way.




Next I cut four strips of plaster cloth measuring 10 cm by about 1.2 cm (4 x 1/2 inches) for the legs. To form the legs, I wet each piece of plaster cloth, rolled it without too much precision, then wadded it a bit and stuck it onto the body. I smoothed the edges of the legs into the body as I had when joining the body to the head, and they stuck remarkably well.





To finish up, I cut a sliver of plaster cloth, twisted it into a tail, and stuck it onto the elephant, smoothing it into the body to make it stick.




The whole thing took me about 15 minutes, so I thought I'd try another one. I made the second one more or less the same way, the only glitch being that simple elephant figures like this have a tendency to fall on their faces because of the weight of their trunks. As a result, I had to keep building up the front legs in tiny increments, in order to tilt the elephant slightly backwards. Luckily, this material lends itself quite well to adding on little bits. It was easy to add two or three tiny wads of plaster cloth to each of the front legs until the elephant balanced. As long as I smoothed each wad into the existing leg, everything held together nicely.




One of the things I noticed was that the thicker parts of the elephant had grown quite warm, as though they were generating their own heat. I'd read somewhere that plaster expands slightly as it begins to dry, then shrinks somewhat towards the end of the drying process. Maybe that's what was going on, because they just as quickly turned cold.




These little guys are misshapen and weird-looking, but I kind of like them anyway. At this point, I could sand them, add a bit more plaster, smooth them out, paint them and so forth, but I think I'll leave them as they are for now.

This is an incredibly easy activity, and not near as messy as I expected it to be. The down side is that you need to work fairly quickly, but if you're not angst-ridden about precision and perfection, there's a certain charm to the process—and even the final product.







Elephant Lore of the Day
Elephants can be quite determined to exact revenge, and clearly never forget a slight. In their 1988 book, Ring of Fire, Lawrence and Lorne Blair reported on the sad tale of a Sumatran friend's cousin.

A few years earlier, the man had come across an elephant raiding his fruit garden. Perhaps not realizing that it is very unwise to anger an elephant, he wounded it with buckshot. The elephant quickly turned and chased him up a tree.

For an entire day and night, the man remained in the tree, watching helplessly as the elephant made several trips back and forth to a nearby stream. Pouring trunkful after trunkful of water on the roots of the tree, the elephant finally managed to loosen the roots enough that he could push the tree over. He promptly trampled the hapless man to death, just as a rescue party arrived on the scene.


Sumatran elephant in river, Aceh Province, North Sumatra.
Photo: David Gilbert
Source: http://ran.org/indonesia%E2%80%99s-rainforests-biodiversity-and-
endangered-species






Monday, 23 April 2012

Elephant No. 204: Snow Elephant

 


It's not often that we get a lot of snow as late in the year as this, so I decided to finally try making a snow elephant. The snow was heavy and wet, so it's ideal for making snow figures—unlike the day I made a snowball mural, when it was only good for fluffy snowballs.

I went out early, as it was already switching from rain to snow by 8:00 a.m. In fact, by the time I was finishing this some 20 minutes later, it was raining steadily, and the snow I was trying to pack with my hands was turning to icy slush.

I started by gathering a pile of snow from the top of the cars and various other places in and around my driveway and back yard.




I thought I should make the legs first, so I made four small columns that were roughly the same shape and size.




I made a body next and put it on top of the columns. The first body I made was too small, so I made a bigger one, but it was already getting hard to make the new snow stick. One thing I discovered was that slushy snow packs quickly into a ball of ice, making it virtually impossible to add more snow. Guess I didn't spend enough time making snowmen as a child, or I might have known this.




I made a head next. It turned out that making a head without moulding a trunk and ears at the same time is pointless. I removed the head and quickly reshaped it with a trunk and smallish ears. At this point, I was soaked to the skin and the snow was being most uncooperative, so I didn't really have a chance to make ears as big as I would have liked, or a trunk as long as I would have liked.




I stuck the head on the elephant, and added some more snow around the neck to make it stay in place. To finish up, I added a pinch of snow for a tail, and scraped parts of the elephant with the side of my hand to give it some shape.




By the time I'd done this much, the elephant's legs were already starting to melt and puddle, so this was about the best I could do with the limited snow I had and the limited amount of time I had. But he's kind of cute for all that.




No one wants to see snow around here in late April, but I figure if life hands you snow, make a snow elephant.





Elephant Lore of the Day
It really is true that an elephant never forgets. Neither, apparently, does an entire herd.

In November 1984, 60 elephants burst out of the jungle and flattened the village of Tanah Jawa in North Sumatra. Not wanting this to happen again, the entire village pulled up stakes and moved several miles away.

Two months later, an elephant army—with many of the same elephants—showed up and flattened the new village as well. It was assumed that the villagers had upset the herd in some way, but no one was ever quite sure what they had done to make so many elephants so mad.


Family group of Asian elephants.
Source: http://window2nature.net/2011/05/